Figure: Apollo Belvedere, Francis Harwood, 1786, marble; origin Gordon Castle, Morayshire.
This gallery contains 4 photos.
Apollo: God of prophecy and oracles, music, song and poetry, archery, healing, plague and disease. Depicted as a handsome, beardless youth with long hair. Attributes include wreath and branch of laurel, bow and quiver of arrows, raven, and lyre. Son … Continue reading
Processed film and prints arrived from Harman (Ilford to me) yesterday. To quote Jason Langer (jasonlanger.com) from Black+White Photography No. 244: ‘I noticed my own feeling of indifference in viewing online photography. I found and still experience it as cold, … Continue reading
I spent yesterday morning at Anglesey Abbey filling some of the gaps in my photography of the statues – 36 pictures covering 16 figures. Domitian was one. This is one of the Twelve Caesars, works from Italian (Roman) School and … Continue reading
This gallery contains 4 photos.
The four pictures posted here are an example of how the figures from the Anglesey Abbey gardens will be shown, in this case Diana the Huntress. A description of the god and the statue will accompany the pictures. Diana (Roman) … Continue reading
There are three related aspects to this project. First, I plan for the final work to be presented as a single image of one figure from the gallery opposite up to four images of the equivalent figure from the garden. … Continue reading
The collection of statues at Anglesey Abbey provides the starting point for this project. The figures photographed will be those where the named subject is represented in both collections, Apollo and Nero for example. So, Vertumnus and Orpheus, who are … Continue reading
I’ve long been fascinated by the statues in the garden at Anglesey Abbey and a few of these have featured in posts since January 2017. The casts in the collection of the Museum of Classical Archaeology in Cambridge similarly intrigue … Continue reading
A new exhibition at the Fen Ditton Gallery. ‘In this era of fashion and freedom, photography was arguably at its peak. This pre-digital world saw areas of London full of photographic studios, darkrooms and film processing labs. These exciting hubs … Continue reading
Further to my post about the omission of photography from Analog Sea (22nd November), an interview with Canadian film maker Peter Mettler by editors Jonathan Simons and Janos Tedeschi in Analog Sea Review Number 2 (2019) suggests some inconsistencies in … Continue reading
We discussed photography and art at the U3AC Telling Image session last Friday (29th). Several people expressed regret that photography is increasingly dominated by issue based work (the same might be said for other art forms too). I don’t have … Continue reading
‘Analog Sea is a small community of writers and artists wishing to maintain contemplative life in the digital age. We publish high quality printed books and a biannual journal, The Analog Sea Review. Our mission is to support what we … Continue reading
The session last Friday (a joint effort with Alasdair Hayden-Wright) was an attempt to encourage members to look beyond the safe predictability of digital photography. The message was: ‘Experiment, play, have fun’. Central to this was revisiting the analogue world … Continue reading