St Davids

Mining the Diaries 94: wales

Arosfa, Goat Street, St Davids, 7th July 2020

I found a copy of an 1880 edition of Gilbert White’s The Natural History of Selborne among the neglected books lined up along either side of the fireplace yesterday.  The morning was grey and wet and after a late breakfast I settled down to see what the 18th century cleric had to say about swifts, birds that are so much a feature of summer here as they swirl around the Cathedral.  He notes their arrival in May, describes their life on the wing, observes their nesting ‘in crannies of castles, and towers, and steeples’ and is intrigued by ‘something new and peculiar with respect to them, and different from all other birds … that swifts propagate on the wing’.  He records their departure in August, but doesn’t know where they go (to Africa).  To White, ‘Swifts are anomalous in many particulars’.

The weather showed little sign of improving, so we set out for a late morning walk to St Non’s Bay.  A herd of immaculate black and white Friesian cows stood patiently in a field just beyond Warpool Court – the only sounds were of the cows grazing and water dripping from the trees.  The Chapel was open for prayer and contemplation; swallows skimmed in and out; and a soft-spoken Irish women from the Retreat came in and lit candles.  Stained glass showed Saint Bride with fishes and St Brynach with a cuckoo – legend has it that the first cuckoo of the year in west Wales calls from the top of the saint’s cross in Nevern churchyard.

We walked south to Pen y Cyfrwy overlooking the bight of Caerfai Bay.  Down below gulls uttered mournful cries as they floated over the gently surging sea; nearby a stonechat and a wren gave warning calls from gorse perches.

Carn Llidi from Arosfa, St Davids, July 2020

After lunch we did a circuit round the silent and deserted cathedral precincts in light rain with water dripping from the ashes and sycamores.  We felt like characters in one of those science fiction films, who wake to find themselves in a deserted place with nobody about, the whole population spirited away, or shut indoors afraid to come out because of some unnameable threat. 

Back to a warm house and Gilbert White.

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Fen Landscape: Wicken 2

Wicken 2, March 2024
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U3AC Photo Forum 2023-24 – Week 18 Still Life 2

This week members introduced their own work following Jitka’s talk in class 13.  We reviewed 40 pictures from 12 people.  The topic was interpreted very broadly.  Subjects included, flowers, crockery, sculptures, tools, a lensball, electronic circuits, architectural details, bric a brac, plastic models, fruit and veg and wine glasses and bottles.  Most people had paid careful attention to composition and lighting aiming for precision and clarity.  Approaches varied from old master-like effects to product advertising and self-conscious humour to simple formal clarity.  Optical phenomena and post processing were called on to achieve the desired results.  Overall the work showed how difficult it is to do still life well.

I submitted three pictures from my project Journey Round My Room (see post 5th November 2023).  Unlike most of the other work presented, these were found still lives and not artificial set ups, which I suppose sets them at odds with the historical nature of still lifes.  They stood out from the other work because of the very limited colour pallet and the softness of natural light.

Brian Human, Around My Room #2, 2024
Brian Human, Around My Room #1, 2024
Brian Human, Around My Room #3, 2024
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Fen Landscape – Wicken

Wicken 1, March 2024

Near Wicken returning from Fordham yesterday.

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Lindisfarne, Holy Island

Mining the Diaries 93: England

Marram Cottage, Beadnell, Northumberland, 11th September 2019

We decided to go to Lindisfarne today, checked the times for access across the causeway (5.30 mam – 12.30pm) and set off promptly after breakfast, driving through Seahouses, Bamburgh and Belford then on to Beal. Suddenly we swapped the trees and hedges of green countryside for the Holy Island Sands – a humbling open vista of sand and salt marsh backed by dunes where the bubbling call of curlew carried on the wind.

We left the car in the nearly empty car park and walked up towards Lindisfarne Castle in dazzling sun. A stiff breeze whipped up white horses in the harbour.  At the turn of the 20th Century the castle was no more than the ruins of a 16th century fort with gun emplacements perched high on a crag.  Edward Hudson, owner of Country Life bought it in 1902 and commissioned Sir Edwin Lutyens to turn it into the romantic, idealized castle of today.  To the north of it, across rough pasture, the Gertrude Jekyll Garden sheltered in a small stone enclosure.  Once a vegetable plot for soldiers stationed there, it was turned into a formal garden when Lutyens converted the castle – Lutyens and Jekyll were regular collaborators.  The main colour palette of the garden was yellow, with a glowing bed of red sedum at its heart; it smelt faintly of roses and sweet peas. 

Lindisfarne, boat hut and castle, September 2019

We continued down towards the shore and looped round towards the castle, past a stream of figures trudging up the track from the village (it’s a National Trust property).  Near the harbour the upturned hulls of old herring boats were used by fishermen as sheds for their nets and tools; unwilling to send their old boats to the breakers, they made clever use of the materials they had to hand.  We headed into the village following the aroma of roasting coffee to the Pilgrim’s Café.    

The village was charming and appeared quite unspoilt.  The Priory Church was a glorious ruin in dark red weathered stone.  As we stood outside admiring the chevron arches as a proud father was photographing his daughter by the door; we stepped aside, he said, ‘Thank you.  We’ve just walked from Melrose’ (around 50 miles).  We sat in the nearby late 13th Century church of St Mary, at first gloomy with its widely spaced lancet windows, but revealing itself as eyes became accustomed to the dark.  The lines of old arches and roofs showed how it has been changed over the years from its 12th century origins.  A modern window depicted eider, puffin, seals, the causeway and the upturned boats.  Nearby stood the rugged Journey, a wooden sculpture, carved from seven elm trees, by Fenwick Lawson in 1999.  It depicted the monks of Holy Island carrying the coffin of St. Cuthbert to safety and eventual rest in Durham Cathedral, when Viking raiders threatened the island around 875 AD. 

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Acropolis, Athens

Mining the Diaries 92: Italy

Acropolis Ami Hotel, Athens, 8th June 2019

The Acropolis, Athens, June 2019

After an early breakfast we set out to try to beat the crowds visiting the Acropolis; we joined the small queue that had already formed at eight-thirty.  Even at that hour it was a hot climb up to the entrance; it was already busy and we were soon enveloped in the sense of being over crowded, first with individuals and then with the influx of tour groups.  People endlessly posed and took pictures; a TUI tour group peered down at their tablet screens edged with by little blue logoed sun shades.  A Japanese camera crew filmed a presenter in a long scarlet dress doing a piece to camera against the backdrop of the Parthenon Temple of Athena.  Does it need the publicity?  It was hot, dusty and noisy; the guardians blew whistles at transgressors getting too intimate with the stones.  Why do people bringing small children and bored teenagers here?  How many are here because it’s a traveller’s box to be ticked?    

It was impossible to appreciate the genuine grandeur, beauty and importance of the buildings, the symbols of the glory that was Greek culture and learning.  We struggled back through the crowds.

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St Davids

Mining the Diaries 91: wales

Arosfa, Goat Street, St Davids, 21st May 2019

Out bright and early – the fresh, sunny morning was too good to miss.  We drove east from St Davids, turned off at Nine Wells and parked in dappled sunlight under trees ringing with birdsong.  Following the path down towards Porty y Rhaw, we crossed a stream, where wagtails hunted for insects among the stones, and climbed up on to the cliff top, walking towards Solva, past what is claimed to be the remains of a fort – it needed an archaeologist’s eye and a poet’s imagination to bring it into being.  We lay on the grass watching jets heading west, invading the clear blue sky with chalky contrails – some short, some long, some fat, some thin, some persisting, some transient.  What determines their form and duration?  Height?  Speed? Type of aircraft?

We retraced our steps and clambered down over the rocks onto the pebbly beach at Porth y Rhaw.  Off shore a gentle surf created a soothing susurrus; no waves reached the beach and the tide ebbed slowly back across the stones with the sound of the sea breathing.    

Caerfai, St Davids, May 2019

Returning to St Davids, we took a picnic lunch to Caerfai Bay.  A steep, paved, descent led to the shore; the tide was out leaving a wide sandy beach enclosed by grey and red cliffs with green patches of tumbling vegetation.  We padded across the damp sand to wade knee deep in the coldness of the millpond-calm sea, humbled by one very hardy swimmer.  Dogs raced along the water’s edge with unbounded canine joy.  We ate sandwiches as strange looping contrails swept arabesques over the sky and the sun shining through the haze created a surreal inverted rainbow.

I strolled down to the Cathedral before supper at The Bishops.  Lady Maidstone on her tomb in the Chapel of St Edward had a superior, haughty profile.  She converted to Catholicism, but wanted to be buried in the Cathedral, so paid for the then roofless Chapel to be restored.  The alabaster tomb was carved in Italy – it is said that she was a very difficult client and the masons took revenge by putting her face on the carving of her pet dog on which her feet rest.  She predeceased the dog and when it died it was cremated and the ashes placed in a small urn in the corner of the Chapel – the lid is surmounted by a small dog.

After supper we drove down to Whitesands Bay to watch the sunset.  No contrails then, just columns of barbecue smoke drifting up into the still air.

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Eve

Eve Listening to the Voice of Adam, John Hedges Baily, 1842, V and A Museum

Eve Listening to the Voice of Adam, John Hedges Baily, 1842 (V&A Museum).  ‘This sculpture illustrates a scene from John Milton’s poem “Paradise Lost”.  Turning to Adam to describe “a shape within the watery gleam”, Eve is told it is her own reflection.  Critics admired her parted lips and raised eyes “as if every sense were occupied in the work of listening”.’

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U3AC Photo Forum 2023-24 – Week 17 Street Photography 2

This week members presented their own street photographs following my talk in Week 15.  Fourteen photographers submitted a total of 44 pictures.  Thirty-six pictures were in colour and eight black and white. Locations: Cambridge 19, other UK 9, abroad 16.  I submitted the three pictures below.

Market Square, Cambridge, February 2024
Rose Crescent, Cambridge, February 2024
Senate House Hill, Cambridge, February 2024
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Margate

Mining the Diaries 90: England

Crescent Victoria Hotel, Margate 14th October 2018

I think T S Eliot did Margate a disservice in 1922 when he wrote:

On Margate Sands./I can connect/Nothing with nothing./The broken fingernails of dirty hands./My people humble people who expect/Nothing. 

Margate, October 2018

It most probably had a fine beach then, as it does now.  But was it as plagued by herring gulls then as it is today?  Visitors have thought it fun to throw the birds scraps and enjoyed the ensuing combative aerial acrobatics.  Successful opportunists, the gulls have become used to the easy pickings and the sight of a sandwich or fish and chips tempts hooligan gangs into aggressive acts of piracy. We watched a marauding immature gull steal the fish lunch from an unsuspecting girl sitting on the New Kings Stairs.  More savvy eaters, aware of the risk, keep their food hidden.

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Food

The editors of the Royal Academy of Arts Magazine (no. 162 Spring 2024) asked contributors for their favourite depictions of food.

Stephen Shore, American diner food

Photographer Benjamin McMahon offered: ‘Stephen Shore’s 1970 photo series “American Surfaces”.  The pictures of food were like nothing else I’d seen.  Seemingly casually snapped.  Fried egg in Pennsylvania, toast in Oaklahoma.  Like pictures from my memory.’

Writer and researcher C F Prior said: ‘The food scraps, half eaten fruit and stained linen table cloths suggesting the speedy abandonment of a meal in Laura Letinsky’s still-life photography.’

Laura Letinsky, Untitled # 38 2001
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Fen Landscape

River Cam, Horningsea, Cambs. February 2024

River Cam Fen edge landscape at Horningsea under a February sky.

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Girton Golden Goose Railings

The Golden Goose Railings were commissioned by the Girton Town Charity, created by local artist Matthew Lane Sanderson and installed in 2018.  The railings celebrate four things.

Girton geese and quills:  The village has a long relationship with geese as they were an important source of feathers for quills used by scholars and scribes at Cambridge University.  A brook known as the ‘wash pit’ was home to flocks of geese, which supplied the writing instruments.

Girton Golden Goose Railings, Girton, February 2024

Legend of the Golden Goose: The ‘Golden Ratio’, a mathematical term, defines human proportions, musical rhythm, plant growth and the brightness and dimming of the stars.  The goose is one of the few birds to lay eggs with the ‘Golden Ratio’ of 1.0 length to 0.618 width.

The Barnacle Goose: The name barnacle came from the myth that they were hatched from barnacles, which meant that as crustaceans they could be eaten during Lent when all other flesh is forbidden.

The Tree of Life: A tree is a common image to illustrate the cycle of life in religious culture and historical legend.  The sculpture shows a tree on an island surrounded by water, as in the isles of Ely and Sutton.

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U3AC Photo Forum 2023-24 – Week 16 Travel Photography

Graham Wickens, Cologne

Graham Wickens titled his talk Travelling Photography.

  1. Travel photography embraces many other genres, landscape, street, portraiture, food etc.
  2. Deciding on what equipment to take: less is best. One camera body with medium wide angle/telephoto lenses.  Tripod optional.
  3. Think about security (carry equipment unobtrusively) and back-up pictures.
  4. Take pictures while travelling on trains, boats, planes, cable cars, horse and carts and hot air balloons etc.
  5. Avoid a night (or more) in jail by not photographing sensitive military and other infrastructure.
  6. When photographing people show respect – reactions will quickly show whether it’s acceptable.
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Alexy Navalny

Alexy Navalny, King’s Parade, Cambridge, 19th February 2024
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