{"id":11828,"date":"2023-09-07T10:05:37","date_gmt":"2023-09-07T09:05:37","guid":{"rendered":"https:\/\/brianhuman.co.uk\/wp\/?p=11828"},"modified":"2023-09-06T10:08:30","modified_gmt":"2023-09-06T09:08:30","slug":"outrageous-art","status":"publish","type":"post","link":"https:\/\/brianhuman.co.uk\/wp\/outrageous-art\/","title":{"rendered":"Outrageous Art"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignright size-medium\"><a class=\"highslide img_1\" href=\"https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/Sophie-Calle.jpg\" onclick=\"return hs.expand(this)\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"221\" src=\"https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/Sophie-Calle-300x221.jpg\" alt=\"\" class=\"wp-image-11829\" srcset=\"https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/Sophie-Calle-300x221.jpg 300w, https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/Sophie-Calle-768x567.jpg 768w, https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/Sophie-Calle.jpg 786w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption class=\"wp-element-caption\"><span style=\"font-size:11.0pt;line-height:107%;font-family:&quot;Arial&quot;,sans-serif;\nmso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-ansi-language:\nEN-GB;mso-fareast-language:EN-US;mso-bidi-language:AR-SA\"><i style=\"mso-bidi-font-style:normal\">Suite Venitienne<\/i><\/span>, Sophie Calle, 1980<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size:11.0pt;line-height:107%;font-family:&quot;Arial&quot;,sans-serif;\nmso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-ansi-language:\nEN-GB;mso-fareast-language:EN-US;mso-bidi-language:AR-SA\">The editors of the Royal Academy of Arts Magazine (no. 160 Autumn 2023) asked contributors to nominate their favourite outrageous works of art.<span style=\"mso-spacerun:yes\">\u00a0 <\/span>Architecture and design critic Edwin Heathcote offered: \u2018Artist Sophie Calle\u2019s <i style=\"mso-bidi-font-style:normal\">Suite Venitienne<\/i> (1980), in which she surreptitiously tracked and photographed a man going to Venice.<span style=\"mso-spacerun:yes\">\u00a0 <\/span>Sinister, strange and suspect, it struck me as deeply invasive and intriguing, and asks what women might do as art that men could not.\u2019<\/span><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-medium\"><a class=\"highslide img_2\" href=\"https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/p.46-contact.jpg\" onclick=\"return hs.expand(this)\"><img loading=\"lazy\" decoding=\"async\" width=\"63\" height=\"300\" src=\"https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/p.46-contact-63x300.jpg\" alt=\"\" class=\"wp-image-11830\" srcset=\"https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/p.46-contact-63x300.jpg 63w, https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/p.46-contact-214x1024.jpg 214w, https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/p.46-contact-321x1536.jpg 321w, https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/p.46-contact-428x2048.jpg 428w, https:\/\/brianhuman.co.uk\/wp\/wp-content\/uploads\/2023\/09\/p.46-contact.jpg 531w\" sizes=\"auto, (max-width: 63px) 100vw, 63px\" \/><\/a><figcaption class=\"wp-element-caption\">Footfall 52<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">I borrowed Calle&#8217;s idea for a sequence of images in my photo book <em>Footfall<\/em> (2001).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The editors of the Royal Academy of Arts Magazine (no. 160 Autumn 2023) asked contributors to nominate their favourite outrageous works of art.\u00a0 Architecture and design critic Edwin Heathcote offered: \u2018Artist Sophie Calle\u2019s Suite Venitienne (1980), in which she surreptitiously &hellip; <a href=\"https:\/\/brianhuman.co.uk\/wp\/outrageous-art\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4],"tags":[],"class_list":["post-11828","post","type-post","status-publish","format-standard","hentry","category-film"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9SdXd-34M","jetpack_likes_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/brianhuman.co.uk\/wp\/wp-json\/wp\/v2\/posts\/11828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/brianhuman.co.uk\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/brianhuman.co.uk\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/brianhuman.co.uk\/wp\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/brianhuman.co.uk\/wp\/wp-json\/wp\/v2\/comments?post=11828"}],"version-history":[{"count":2,"href":"https:\/\/brianhuman.co.uk\/wp\/wp-json\/wp\/v2\/posts\/11828\/revisions"}],"predecessor-version":[{"id":11832,"href":"https:\/\/brianhuman.co.uk\/wp\/wp-json\/wp\/v2\/posts\/11828\/revisions\/11832"}],"wp:attachment":[{"href":"https:\/\/brianhuman.co.uk\/wp\/wp-json\/wp\/v2\/media?parent=11828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/brianhuman.co.uk\/wp\/wp-json\/wp\/v2\/categories?post=11828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/brianhuman.co.uk\/wp\/wp-json\/wp\/v2\/tags?post=11828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}