U3AC Photography – Reading Photographs

The five-week course I ran in February/March seems to have been well received.  Of the 64% of attendees who gave formal feedback 74% thought it was excellent and 26% good against a range of criteria, giving an overall approval rating of 100%.  56% felt it exceeded expectations, 44% felt it met expectations. Class attendance was 90%. 

Comments included: learned a great deal; excellent, well planned course; [would have liked] an extra week or two; very well organised, interesting and well-chosen illustrations; and class discussion was always interesting. One more extended comment: ‘Wonderful. Like any art appreciation it’s always in the eye of the beholder.  Photography has the luxury of many-shots and I suspect a masterpiece is often surrounded by near-misses.  However you still have to see the moment – no mean feat. Liked the final session [class-led discussion of selected images]’.

Nineteen ONE, Thibault Roland, one of the images used in the discussion of the formal qualities of photographs.

One person said, ‘the Tutor did not give enough emphasis for photography as an art.’  That’s a fair comment and it’s a critical area that should have been given more consideration.  By coincidence I was thinking about offering a course, ‘Photography and/as Art’, in 2023-24, but decided against it as I didn’t want to get bogged down in a debate about the legitimacy of photography as an art form.  Seminal moments like the Mayer and Pierson case in 1861-62 and the publication of Camera Work 48-50 in 1916-17 surely settled that.

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